Sunday, February 7, 2010

No risk takers for Tamil actor Jeevan

There was a constant hunt, in Tamil film industry, for a hero who could portray negative-cum-playboy character with ease. Jeevan filled up that vacuum brilliantly. Like Rajnikanth and Satyaraj, he is a villain-turned-hero. Whether he can endure in the film industry successfully like Rajnikanth and Satyaraj depends upon his wise decisions. Scroll down to catch the latest news about Jeevan!

Jeevan’s debut film ‘University’ went unnoticed due to poor public opinion about the film. His performance as Pandyaa in ‘Kaaka Kaaka’ won him lot of accolades. After 3 years of hiatus, he did lead role in ‘Thiruttu Payale’ which brought him under limelight. The remake of yesteryear Tamil film ‘Naan Avanillai’ turned out a blockbuster. His later releases ‘Machakaaran’ and ‘Thotta’ disappeared without any traces at the box office. His latest release ‘Naan Avanillai Part 2’ was only an average hit. His upcoming film ‘Krishna Leelai’, which was to hit screens long time back, is currently awaiting the release.

A leading Tamil evening daily wrote in its gossip column recently that Jeevan has only one film in hand and that is ‘Krishna Leelai'. Producers are hesitating to book him for their films as he has given 3 consecutive flops. Recently two new directors narrated him their scripts. After hearing, Jeevan coolly said the script is good and asked the new directors to arrange finance themselves. Hearing Jeevan’s request, the two new directors vanished from that place. I understood Jeevan’s mindset from his recent interview to press “Since audiences have been extending their support for the roles I’ve been performing now, there’s no need for me to switch back to negative roles” My words for Jeevan is Though a section of people support for what you do, there is always a risk that you will be caught up in an ‘image circle’ You should prove your versatility by portraying different roles because “No tool is more beneficial than intelligence. No enemy is more harmful than ignorance”

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